Before I was a brand designer, I was drawing. This is where the obsession lives — intricate pointillism portraits built dot by dot in pen and ink, high contrast, deeply textured, made entirely by hand.
The technique is pointillism: no shortcuts, no fills, no lines. Depth and form emerge from the density of each mark, which means the closer you look the more there is. A portrait like Chuck Ragan or Fiona Apple might take days to complete. The payoff is work that holds up to that kind of scrutiny.
Commissions are open. If you have a subject, I have the patience.
"No fills. No lines. Just marks."



